It's Alive! Ridley Scott Takes Another Shot At Sci-Fi Noir

Ridley Scott, who directed the moody 1982 science-fiction film noir, "Blade Runner," will direct and produce a new feature that is being described as a “Blade Runner” follow-up for Alcon Entertainment, a Warner Brothers-based financing and production company.
The original “Blade Runner,” which was adapted from the Philip K. Dick story “Do Androids Dream of Electric Sheep?”, starred Harrison Ford as a human bounty hunter (or is he?) charged with hunting down lifelike androids in a future version of Los Angeles.
Producers are not yet revealing whether the film will be a prequel or a sequel.

Wacky Neighbor Whitey Coming To A Sitcom Near You?

Everybody Loves Whitey
Twentieth Century Fox has made a deal with writer-producer Peter Mehlman for a new comedy pilot about a young couple who get a new neighbor: notorious mobster Whitey Bulger.
That makes a great deal of sense because Whitey was a million laughs. Just ask the people he extorted money from and terrorized.
The Wrap reports that, "In the pilot pitch, a couple remain unaware that their next-door neighbor is a murderer. (The character is based on Bulger, but is not him.) The half-hour pilot will be taped with multiple cameras in front of a live studio audience."
Of course, nothing says "comedy" like a mass murderer plunked down in Average Town U.S.A. Think of the humorous possibilities. Whitey offers to get a neighbor's cat out of a tree ... with a Glock. Teacher gives their kid a bad grade ... teacher's legs are mysteriously broken. Thanks, Uncle Whitey!
Mehlman, who worked as a senior writer on "Seinfeld" for seven years, said his dream casting for Whitey would be John Malkovich.
Were he still alive, I'd vote for Art Carney. He'd kill in the role.

'Maltese Falcon' Director Gets Stamp Of Approval

Legendary director John Huston is getting a commemorative postage stamp in his honor, and it will reference perhaps the best known film noir of all time.
The art on the stamp is inspired by the 1941 movie "The Maltese Falcon." It depicts Humphrey Bogart holding the statue of the falcon. Huston's credits also include the Academy Award nominated films "The Asphalt Jungle" (1950), "Moulin Rouge" (1952) and "Prizzi's Honor" (1985).

A Bitter-Sweet End To 'Breaking Bad'

The good news is that there's going to be a Season 5 of "Breaking Bad." The bad news is that those 16 episodes will be the last.
It's hard to complain, because the ongoing hair-raising, death-defying antics of Walt White (Bryan Cranston) and Jesse Pinkham (Aaron Paul), business partners in the methamphetamine trade, have been insanely fun and nail-bitingly tense to watch.
Wisely, to maintain a sense of credibility, I think, the story is going to conclude. I'm not sure whether cast members wanted to end it or if producer Vince Gilligan decided it was time to bring the curtain down. Whatever. The timing seems right.
Both Walt and Jesse crossed a critical line at the end of last season (I'll spare you the spoiler) and from here on it's going to be increasingly difficult to root for them. The wrap-up will come at a perfect time. It shows that, unlike so many other cable franchises, the folks running it are more interested in producing a good story rather than milking a cash cow.

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Third ‘Noir City: Chicago’ Festival Opens

Diabolical twins, obsessed journalists and jail-breaking thugs are heading their way to the Music Box Theatre. The Film Noir Foundation’s third installment of “Noir City: Chicago” features no less than sixteen restored 35mm prints of must-see cinematic rarities. Ten of these noir classics have yet to land a DVD release, thus making this festival all the more essential for local cinephiles.
The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.
Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as a newspaper editor who refuses to stop chasing a vital story despite the impending death of his paper. That film is scheduled to make a superb double feature with “Chicago Deadline,” a long lost mystery-tinged melodrama that was shot on location in the Windy City over sixty years ago. Two Alan Ladd/Veronica Lake pairings are included in the mix, as well as two films headlined by the underrated character actor Broderick Crawford.

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Robert Ryan Gets Film Forum Tribute

"BORN to play beautifully tortured, angry souls, the actor Robert Ryan was a familiar movie face for more than two decades in Hollywood’s classical years, his studio ups and downs, independent detours and outlier adventures paralleling the arc of American cinema as it went from a national pastime to near collapse."

So begins Manohla Dargis's New York Times profile of Robert Ryan, "Robert Ryan’s Quiet Furies." Ryan played numerous tough guys and villains in noirs, war films and westerns throughout his career. His memorable crime dramas include “The Racket,” "Clash By Night," "The Set-Up," "Crossfire" and "House of Bamboo," among others. He is also remembered for his role in Sam Peckinpah's 1969 high-body-count western, "The Wild Bunch."
The paper profiled Ryan in advance of a Film Forum series that will feature two dozen of the actor's movies.


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Criterion Discs Ladle Out Raw Doses Of Sam Fuller's Tabloid World

It took me a while, meaning a couple of viewings of both movies plus additional time spent watching the extended features of Samuel Fuller's movies, "Shock Corridor" and "The Naked Kiss" before I began to get into them. Fuller, who was a wild-man director idolized by the upstarts of the European New Wave in the 1960s and later by Quentin Tarantino, started out life as a copy boy and then a reporter on New York tabloid newspapers. His movies look like the kind of stuff an ink-stained wretch might have cooked up. They're sort of raw, sometimes brutal in their depiction of violence, and often controversial for the topics they delve into -- violence, prostitution, child molestation. Fuller's movies bring to mind the sensationalism of Roger Corman's midnight movies. Criterion has come out with freshened new prints of both films. Check out the special features, especially for the interviews with Fuller, which alone are worth the price of the DVDs.