life and death in l.a.
crime on film ... and video
Showing posts with label
classic film
.
Show all posts
Showing posts with label
classic film
.
Show all posts
Tuesday, June 17, 2025
Off the Hook: A bedridden heiress glimpses the face of doom in ‘Sorry, Wrong Number’
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Barbara Stanwyck, ‘Sorry, Wrong Number’ (1948). Crossed phone lines deliver chilling news to a woman stranded in her apartment. Post war pro...
Sunday, April 27, 2025
‘Gun Crazy’ Has a Classic Robbery Scene … But We Never See the Actual Holdup
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John Dall, Peggy Cummins, 'Gun Crazy' (1950). For a dizzying moment spectators become accomplices to a crime By Paul Parcellin “ Gu...
Sunday, January 5, 2025
Whiteout Noir: 6 Films With Cold Blooded Crimes In Wintery Places
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Ward Bond, Robert Ryan, "On Dangerous Ground" (1951). Murder has a different look atop a crisp blanket of snow By Paul Parcellin W...
2 comments:
Tuesday, August 27, 2024
What does a Dancer, an Actor, a Magician and a Disenchanted Cop Have in Common? They All Meet in a “City that Never Sleeps”
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Marie Windsor, Gig Young, Chill Wills, "City That Never Sleeps" (1953). A cloud of failure hangs over a handful of Chicagoans who...
Saturday, August 10, 2024
When Noir Got Into the True Crime Game — Docudramas: How True Were They?
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Ted de Corsia, "The Naked City" (1948) — just one of the 8 million stories. By Paul Parcellin Maybe it was the rigors of World War...
Wednesday, July 17, 2024
Noir Must Be Shot in Black and White, Right? Guess Again
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Marilyn Monroe, "Niagara" (1953). Raw Emotions Sizzle When Noir is in Color By Paul Parcellin I can already hear the howls of prot...
3 comments:
Friday, June 28, 2024
Feverish Dreams, Persecution Fantasies, Tormented Anti-Heroes: There’s Something About Cornell Woolrich’s Stories that Pulls Us in Like a Magnet — You’d Think it Would Do Just the Opposite
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Kevin McCarthy, Gage Clarke, "Nightmare" (1956). He Murders as He Sleeps! Contains spoilers By Paul Parcellin When it comes to cra...
Tuesday, May 14, 2024
Scrapped: The Original Opening Sequence of “Sunset Boulevard” was Even Stranger than the Final Cut, and Audiences had a Peculiar Reaction to It
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Erich von Stroheim, William Holden, Gloria Swanson, "Sunset Boulevard" (1950). Test Audiences Were Stunned, Amused and Confused Jo...
2 comments:
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