Monday, November 21, 2011

All Aboard Guy Ritchie's Quick-Cut, Malevolant Joy Ride

Normally I write here about movies and TV shows I've seen. But two Netflix discs have been sitting unwatched on my coffee table for nearly three weeks. It's been my cuckoo writing schedule that prevents me from hunkering down and watching stuff I'd like to see.

The two on-deck films are both Guy Ritchie-directed movies, "Snatch," and "RocknRolla." Opinion is divided among those I've spoken with on which is the better of the two -- some might say neither.

"Snatch"looks at, among other aspects of society, Irish "Travellers," a gypsy-like culture that exists in the U.K. and elsewhere. "RocknRolla" focuses on the pursuit of a cache of mob money that's up for grabs. That's about all I know about them.

I have my misgivings about Ritchie -- apart from that erstwhile marriage to a certain American celebrity whose name will not be mentioned here. Ritchie's trademark camera moves -- he makes the camera dodge around frozen images of a given scene at unexpected times -- usually bring the action to a halt. Computer-generated video effects have their place, but the stuff I've seen so far from this dirctor all seems filled with the requisite sound and fury, while signifying nothing.

His dialog is usually fast and funny, and he cuts his scenes with the attention-deficit-disorder crowd in mind. I can't quite decide whether I like him or find him annoying. I just may get around to watching these two flicks tonight, and maybe I'll decide then.

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